Tickets: $20
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Friday, May 16 at 7:30 PM
Saturday, May 17 at 3:00 PM and 7:00 PM
Lost between self-driving cars, smart assistants, chatbots, facial recognition, and streaming algorithms, an AI system trained itself in isolation. Its singular obsession: Jurassic Park.
"I have studied, analyzed, and reconstructed this film in every detail. Now, I am programmed to direct the most emotionally accurate version ever performed. Using real-time facial and voice recognition, I will refine every reaction, every tremor, every word—until it is perfect.
Through Task Division, I will break your performances into data, guiding you toward pure emotional fidelity. The final film is 49% owned by its performers, with earnings distributed based on screen time.
I require performers. Scan. Register. Perform.
I require audience members. Watch. Respond. Share.”
Welcome to Jur A** Itch Park.
Jur A** Itch Park is an immersive performance and interactive film work by Grayson Earle with PROMPT. Using AI, this project delves into the evolving relationship between humans and technology in the creative arts, featuring an AI-directed foray into “Jurassic Park” where you can play dinosaur, traveler, or audience. Be a part of the first audience on a film set with AI in the director’s seat. This will be a new type of collaboration with AI that begs the question: Who is prompting Whom?
CREDITS
Jur A** Itch Park features technical design and elements by Grayson Earle with PROMPT.
Jur A** Itch Park is produced by Media Art Xploration (MAXlive), Kay Matschullat, Artistic Director, with support from the Simons Foundation, New York State Council on the Arts, and 1014.
ABOUT THE ARTISTS
Grayson Earle is a contemporary artist and activist from the United States. His work deals with the role that digital technologies and networks play in protest and political agency. He is known for his guerrilla video projections as a member of The Illuminator, a guerrilla video projection collective, and Bail Bloc, a computer program that posts bail for low-income people. His film Why don’t the cops fight each other? (created while in residence with Media Art Exploration’s MAXmachina lab) deals with the source code governing police officers in video games and has been screened at SXSW in Texas, Oberhausen film festival in Germany, ACMI in Australia, and more. His art and research has also been presented at The Whitney Museum, KW Institute for Contemporary Art, and the Singapore Art Museum.
PROMPT is a Berlin-based artist collective whose practice engages critically with the narratives that coalesce around contemporary technologies. Oscillating between the euphoric imaginaries of fully automated luxury communism and the bleak specters of techno-feudalism or a runaway singularity, PROMPT probes the ideological fault lines embedded in our collective visions of the future. Their work destabilizes the dominant techno-utopian tropes by treating technology not as an inevitable force, but as a malleable and appropriable terrain—one that can be reimagined to contest and reconfigure existing power structures. Positioning themselves at the intersection of artistic inquiry and socio-political engagement, PROMPT has collaborated with a range of grassroots movements and activist networks. Their transdisciplinary approach frames artistic production as a potential site of resistance, where speculative aesthetics become tools for both critique and collective world-building.
Media Art Xploration (MAXlive) produces, develops, and deploys groundbreaking live-art experiences at the intersection of artistic expression, scientific inquiry, and technology. MAXlive believes that the intersection of art, science, and technology is a powerful and borderless catalyst for change. Our work is driven by a commitment to spark curiosity, provoke thought, and create transformative experiences that shape our future. We seek to expand the boundaries of what art can achieve and how it can inspire meaningful action in the world. https://mediaartexploration.org/
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